THE POWER OF YOUR CIRCLE

Circles by Jim Wark
San Luis Valley USA

We had a request to share a short guided imagery. Listening with eyes closed may be the most powerful experience but by no means is it the only way to get in touch with the deeper levels of relaxation and your imagination. Here is a portable guided imagery that can take as little as five minutes; whether behind a desk, eating lunch on a park bench or hiding in the restroom stall just to escape whatever stress may be chasing you down the hallways of life.

If possible, read it through once to yourself. Then read it again out loud. Close your eyes and walk yourself through it. Don’t hesitate to open your eyes and check the written version to put you back on track. Even if you stray from the particulars of this exercise, it really doesn’t matter. Let it take you wherever it wants to go. Prepare to have some relaxed fun and allow yourself to ride the wave of spontaneous imagination.

Sit down in a comfortable position.
Bring your attention to your breath.
Follow each inhale and exhale as it moves in and out of your body.
With each exhale, focus on pushing stress out of every single cell that is holding it.
Let any places in your body where you are holding stress simply dissolve.
Just let go. Breathe deeply. Let it all go.
Relax your scalp.
Your forehead.
Your ears.
Your eyes.
Your jaw.
Your lips.
Your neck .
Your shoulders.
If thoughts come, let them slide away like pearls on silk.
Bring your attention back to your breath.
Allow your mind to be still.
Relax your body.
Let go.
Breathe deeply.

Now…
Imagine yourself, in your mind’s eye, alone in the center of a circle.
It can be any circle that comes to mind.
A circle in a vast green field.
A circle of light or fire.
It may be a circle marked by a fence of wood or stone or a grove of beautiful trees.
You may be sitting on a deserted beach and the circle has been drawn perfectly around you in the cool, damp sand.

In some form, see yourself comfortably sitting alone in the center of the circle; surrounded by that which marks the boundary of your personal space.

Somewhere in that circle is an opening…
A gateway of some sort through which others can enter and leave your circle.
At this opening is a guardian.
See the figure that stands at the gateway to your circle.
It may be a person, or a child. It may be an animal, a bird or a butterfly.
Let your imagination show you your guardian.

Imagine that there are people you know, mixed with your goals, dreams and creative intentions standing in a line waiting to approach the opening in your circle. As they come closer, one at a time, the guardian at your gateway will let you know in some way if they are welcome to come into your circle. The guardian may indicate this by a gesture, or a word or a body sensation you receive.

Wait for it.

The guardian may indicate that some can come and go at will while others can enter your circle only at certain times and for limited stays.

Breathe. Breathe until you feel the sensations of relaxation fill your body.
You are safe within your circle and no one or nothing can disturb you.

Spend some time learning what the guardian has to show you about the people, situations, goals, dreams and creative intentions in your life.

Situations may come to you in symbolic figures.
For example, a colleague who approaches, not as an individual but as the symbol for a specific work or intention. Just watch what happens with as little judgment as possible.
Your guardian gives you several seconds to relax into each image.

You are always safe.
Breathe deeply.

Let your imagination continue to flow.
Later, you can analyze and examine what you receive.
Now is the time to just observe.

When you feel you have all you are able to take in, thank your guardian and bring yourself back to an awareness of your breath and your body.

Breathe deeply.
Wiggle your fingers and toes.
Slowly, very slowly…return to being fully present.
Take another deep, refreshing breath.

When you are ready, either now or at some later time, answer the question:

“The guardian of my circle keeps me safe and allows…”

DOORWAYS TO THE IMAGINATION

DOORWAYS TO THE IMAGINATION
Written and Narrated by Jill Badonsky
The Muse Is In



If you have never experienced a guided imagery exercise then you are in for an amazing, creative adventure of your own imagination! A guided imagery is not just for the artist or the writer; it is an effective tool for every person who is interested in tapping into their deeper wells of ‘knowing’ , ‘problem solving’, ‘understanding’ and ‘self-awareness’.

Guided imageries come in all styles. Some are only words. Others only music. Personally, we find the combo of words and music to be the most enjoyable; such as Jill Badonsky’s stellar series, DOORWAYS TO THE IMAGINATION. On this CD you will find four separate guided imageries:

1. Garden of Creativity: A journey to enhance your creative courage, inspiration, desire and motivation.

2. Return to the Garden: Deepening the power of focus and imagination with more music and less narration.

3. House of Doors: A powerful journey to develop alpha and theta brain wave activity; the brain waves responsible for creativity, imagination and intuition.

4. Time Journey: A journey to access wisdom, perspective and the visualization of a future unfolding with brilliance.

This is an investment worth its weight in creative jewels!

A MUSE OF AUTHENTIC HAPPINESS

Sometimes, people have said that Tim is the kind of person you love to hate. He is always in a good mood, upbeat and positive. When someone asks him, “How are you doing?”
He replies, “IT CAN’T GET ANY BETTER!”
Nine times out of ten, his happy, boyish, charming spin on these words elicit a smile.

He is a natural ‘people person’ and coach. If someone is having a bad day, Tim will tell them to look for the positive side of the situation. The amazing thing about this is that he believes it, authentically, from the heart. I can tell you from first hand experience that Tim receives more than his fair share of incredulous or cynical looks. That does not deter Tim one bit; it only motivates him to work on lifting the person’s spirits just one degree. It’s almost as if he takes it as a personal challenge. Watching his style in action has always made me curious. One day, many years ago, I said to him,

“You puzzle me. I don’t get it. You can’t possibly be a positive person all of the time. You have personal, business and financial hurdles and setbacks just like everyone else. You work in an incredibly stressful industry full of conflict and antagonism. How do you do it?”
Tim grinned as he answered,
“Every morning, the first thing I do is say a silent ‘thank you’ for waking up above ground. It’s a good day when you are alive. The second part of my answer to you is about choices. Each and every day we have two choices. We can choose to be in a good mood and positive or we can choose to be depressed and negative. I consciously choose to be positive. Each time something bad happens, I can choose to be upset and a victim or I can ask myself, ‘What am I learning from this?’

Every time someone comes to me upset and complaining I have choices. I can choose to accept their complaining and allow it to take me down with them or I can choose to focus on the positive side of life.”

I looked at him with obvious skepticism and said, “That’s no easy task.”

Tim passionately responded,

“Yes it is! Again, it’s about the choices you make. When you wade through all of the daily debris and muck around us, every single situation is a choice. I try to be constantly aware of how I am going to respond to a given situation; what choice I am going to make. I try to choose how people and events are going to affect my mood. I choose whether to be in a good mood or a bad mood.

The bottom line is:
I choose how I want to live my life every single day.”

Over the years I have continued to study Tim’s attitude and reflect upon his ever-deepening personal philosophy. I have to admit to intermittent skepticism and sometimes feel terribly lacking and mentally undisciplined because I am not able to maintain such a constant and consistent positive outlook and sense of authentic happiness in the moment.

In 1998, Tim was involved in a business and family crisis. His brother, whom he had respected, trusted and loved unconditionally, betrayed him as a brother and a business partner by stealing millions of dollars from the partnership. Tim closed the business, sold his dream house on the beach and found himself facing the possibility of death due to a rare and serious heart condition which had developed during the course of this nightmare.

On a spring afternoon, while mowing the lawn, Tim started to feel unwell. The color drained from his face and he was exhausted. Almost leisurely, we drove to the emergency room ‘just to check everything out’. Tim wasn’t in pain and as we walked through the double doors, he joked with the nurse and made her smile. She directed us to the screening exam room and hooked him up to a pulse meter. She looked at it and with exasperation said, “This machine must be broken! It’s not reading properly. I’ll be right back.”

Casually, she went down the hall to retrieve another machine. She came back into the room and hooked Tim up to it a second time. Then with a burst of what appeared to be panic; she jumped from her chair and yelled,

“We have an emergency here! Find the doctor NOW!”

She put Tim in a wheelchair and he disappeared into the inner sanctum of the ER. As he went, he smiled a sheepish grin and gave me a big wave. The nurse had not told us that his heart rate had jumped to almost 220 and was erratic. Ten minutes passed before a young doctor came into the waiting room and said to me, “We’ll do everything we can to save him.”

I thought he was joking and laughed. The doctor cocked his head and looked serious, alarmed and perplexed, “No, I’m serious. We will do everything we can but his heart has gone haywire.” Before I could gather my wits, the doctor had disappeared behind the swinging double doors.

The good news is that Tim survived and is alive and well to talk about it. Years later, I asked him what had gone through his mind when the medical staff told him that he might die as they held the electrical stun paddles only inches above his chest.

“The first thing that went through my mind was that they must be joking because I felt too good to be dying. But when I saw their serious expressions, I became concerned. In their eyes I saw the possibility that I could die at any moment. I knew I needed to take action.”

I gently prodded, “Go on. What did you do?”

“Well. There was this nurse. She looked very stressful, tired and tense. Overwhelmed and unhappy. She was the one shooting litocaine into the IV and telling me in a very formal tone that if the drug didn’t work quickly to slow down my heart rate that they would have to use the paddles. I looked at her and said something like ‘no paddles on me!’. Then, almost immediately, I could feel some sense of relief. The incessant beeping of the overhead monitor began to slow down and I knew things were improving. I looked at this nurse again and with celebration in my booming voice said, ‘I LOVE YOU Nurse Nancy! I love you guys!! I love you doc!’ They burst into laughter. I started telling jokes again. They laughed some more. With everyone laughing, I knew I would be OK. The critical moment had passed.”

Since that time, Tim has continued to ‘walk his talk’. In 2000, at the age of 47, he consciously chose to create a new life and adventure for himself. Today, Tim lives health-full-y and happily on a beautiful tropical island far, far away.

If you ask him, “How are you doing?”
He replies (you guessed it), “IT CAN’T GET ANY BETTER!”

Moral of the Story:
It’s all about Choice, Attitude… and a sense of humor.
--Written by his partner of 34 years Deborah Stewart--


Flowering of the Human Spirit

Photo by Julia Bayne
Cafe During Edinburgh Festival
Royal Mile
Edinburgh, Scotland
United Kingdom

Muses In Edinburgh…

"Walking around Edinburgh in late July, you’ll likely feel the first vibrations of the earthquake that is festival time, which shakes the city throughout August and into September. You may hear reference to an ‘Edinburgh Festival’, but this is really an umbrella term for six separate festivals all taking place around the same time.

The best-known and oldest of these is the Edinburgh International Festival. The festival was founded in 1947, when Europe was recovering from World War II. Festival founders believed that some event was needed to draw the continent together and “provide a platform for the flowering of the human spirit”.

In recent years, the festival has drawn as many as 400,000 people to Edinburgh, with acts by world-renowned music, opera, theater, and dance performers, filling all the major venues in the city.

Edinburgh festival time can fill almost any artistic need…Edinburgh in August is an experience you are unlikely to forget!"

--The New York Times—
As seen in Robin Pilcher’s latest novel STARBURST

ONE LAST 'HURRAH'

MY HEART IS A SWEET MAUI ONION

Artwork by Patricia J. Mosca (www.pjmosca.blogspot.com)

Muses love the unexpected moment born from spontaneous creative ethers which curl into the air like the invisible smoke of a mirage. Such was their cutting edge (tongue firmly planted in cheek) psychological concept of “peeling the onion” which appeared on an ordinary day last November as a result of friends chatting it up. A metaphor was born.

Think of the human heart as an onion... made up of complex, delicate, transparent layers capable of feeling, absorbing and transmitting the energetic resonance of every emotion in existence. Each layer has an infinite capacity for memory. As life experiences accumulate, so do these membrane layers of the heart. Some of these experiences and memories are poignant and sweet bringing tears to the mortal eye. Other experiences are so excruciatingly painful, the heart orders the eyes to release the pain through the gut-wrenching process of a good hard cry and other physical manifestations of release (dis-ease).

The heart and its fortress walls (these complex onion–like layers) are wholly dependent on two fundamental, all-knowing powers… TRUTH and LOVE. We’re talking the real deal here. Not our every day delusion or illusionary arsenal of personal tools we keep in the toolbox marked “Denial”. Don’t misunderstand…doses of denial and delusion can be a good thing; saving us from many a heartache. But somewhere deep below the onion-like layers there is a “stirring” … a “knowledge” that all is sometimes not as it should be or could be. Say “Aloha” to your INTUITION. Ya’ know those moments…when “gut” feelings are stirred up and you feel a bit acid-y or unwell. Our theory is…those are your “onion” heart layers flapping about in agitation, a built-in warning system of the body…like the gauges in your car.


The question is:
Are we mortals willing to peel back the layers to “see” and “feel” what is at The Core?

This exploration comes with a price tag. A BIG one. Once you peel these protective layers back…once you dissolve the delusion, denial and illusion…YOU CAN’T GO BACK. The layers disintegrate and become one with the core…TRUTH and LOVE. A very scar-y proposition! Oh yes, you can PRETEND to go back. Your subconscious team might tell you, Hey, let’s sweep this ONE under the proverbial rug.” You get out the psychic glue and try to paste the layer back in place. But the layer only laughs at you and says, “OK, so we’re going to play PRETEND…I like that game!”

One creative left brain equation may be:
TRUTH + LOVE = INSPIRATION OF THE MUSE HEART

Pondering this esoteric concept was the catalyst for conceiving a FUN, creative and imaginative allegory. The elements all spoke…Yes! That’s It! “My Heart Is A Sweet Maui Onion!” If the heart can create such beauty and wonder as in the above piece by talented New York artist Pattie Mosca; just FEEL what YOU are capable of...

Enjoy! Breathe! Be well! Laugh! Have FUN!

BRAVO Patricia J. Mosca!

Art by Patricia J. Mosca

Congratulations to talented artist, Patricia J. Mosca!!!
She has been nationally recognized in the most recent Stampington Press magazine ART DOLL QUARTERLY with full page photos of her work!
Pattie’s art and words can be enjoyed at:
My Heart Is A Sweet Maui Onion
Poem by Royce Addington ©2006

Peel back the fragile layers
And what do we choose to see
Beware and go with caution
For it’s a place you will forever “BE”
There’s no turning back
The essence unfolds…
Pungent and Powerful
Sometimes Painful
Sometimes Bold

Personal Truths may await you
Stark realizations unwittingly keep you bound
Ruthless disappointment may reign within
Hope and DesireThey MUST be found!

Transparent as dragonfly wings
Thick as crimson blood
What is revealed
May be quite clear
Or Quicksand
Or Mud

If all fears were but illusion
The inner critics banished for eternity
Self-sabotage would be non-existent
This freedom is Passion’s key

Without self-doubt or recrimination
Where could our imaginations flow
Possibilities are infinite
The sweet heart of our inner Universe
Always waits to tell us so…

Photographer Dorothea Lange

Photo of Dorothea Lange
Another Woman Who Dared…

Dorothea Lange (1895–1965) was a talented American photographer. As a child, she was disabled by polio and this added to her life long compassion and sympathy for the disadvantaged and disenfranchised in life.

One of her most famous photos was taken in 1936. It was known as the ‘Migrant Woman’ and is one of the most widely recognized images of the Great American Depression.

Artistically, Dorothea Lange’s work profoundly influenced American photojournalism with its directness and simplicity. Dorothea helped cast a bright light on the appalling conditions of the migrant farm worker.

If you are interested to know more about the person known as the ‘Migrant Woman’; scroll down for excerpts from her amazing story as written by her grandson Roger Sprague, Sr.

MIGRANT MOTHER (1936)

MIGRANT MOTHER (1936)
Photo by Dorothea Lange

Her name was Florence, she was just 32 years old and had come from Oklahoma to California some dozen years before, to a land of promise - a promise which, for her, had not been kept. On New Year's Eve, 1924 she had arrived with her husband Cleo Owens and her three children.

...There was work in the mills and factories of California for Cleo. He was a frail man and light of build. A near death fight with pneumonia, at age twenty-one, had left his lungs weak, making them a target for any germ that happened along. His only excesses were a tendency to overwork himself to provide for his family, and his deep, and intense love for Florence.

Cleo had married Florence over the objections of his own family, who all felt that Florence was too headstrong. They all predicted that the marriage would fail, a bad sin in 1920. A wife was there to raise the kids and do as she was told by her husband. Florence, in contrast, was only 17 when she informed Cleo's family that they would never rule her or her kids. She loved Cleo, but she was who she was and that was that! (Cleo's people knew that Florence was at least half Cherokee, but they did not know that she was Full blood Cherokee.)

In 1925 Florence and Cleo moved to Porterville, some fifty miles north of Shafter, where he and his brothers had found good work at good wages in the sawmill. Then they moved again, this time to Oroville, to work in the mill there. In 1927 there fourth child, a son was born. Later the same year the mill burnt and they had to move to a small town in Merced County.

Merced Falls was then the county seat of Merced County; it sat on the eastern edge of the San Joaquin valley, just barely in the foothills, and consisted only of five or six streets, one store and one school. The people were kind and caring, but it was also a company town: anyone who worked, worked for the mill, even the store keeper, for that too was owned by the mill. Life was good, full and happy. In September of 1929, Florence gave birth to the fifth of her ten children, a girl, Ruby. Soon after that happy event, however, another event 3,000 miles away sealed the fate of the town, and a family.


The Wall Street Crash of 1929 was little noticed in Merced Falls; it's doubtful if anyone understood what it would mean to their town. As the Great Depression moved across the land, little would remain as it had been. Though the mill tried to hold on with small orders through 1938, for most of its workers the end came in '31. Cleo was one of many to lose his job. There was no other work; all they could do was move on, to join that army of people working the fields and orchards of California, the migrants.

MI-GRANT (mi'grant) adj. a person or animal that migrates. To go from one place to another, repeatedly and in a large group, as certain types of birds. Migrant was the polite word; most just called them Okies even though these "Okies" came from all over the Midwest, Arkansas, Kansas, Texas and Oklahoma. Some, like Cleo and Florence, had come early, before the Dust Bowl, but most were coming now, by the thousands, by the tens of thousands. In beat-up old cars, trucks, anything that would move, they came. They lived in tent cities called Hoovervilles (mocking the President many felt had brought on this Depression). If they were lucky, they had that day's food, if they were rich; they had maybe five days' food. In years to come it would be said of the migrants that "They had so little, but they always had enough to share with those that had less."

Cleo and Florence's first "migration" was back to Oroville in Northern California, where he joined his sisters and brothers, who had left Merced Falls earlier to work in the fields. After picking peaches all day, Cleo and his brothers came home covered in peach fuzz, tiny hair-like fuzz that itches and demands to be washed off. The little cabin they all shared had no "indoor" plumbing, so off to the Feather River they went to clean the day's dirt from their bodies. Besides, the days were hot, and a dip in the river would feel good.

That night Cleo began to feel ill; it was hard for him to breathe in the house so he moved outside to a cot on the porch. Early the next morning they found him with a high fever. They nursed him as best they could -- there was no money for doctors or medicine -- and on the fourth night he asked to talk to Florence alone. His sister later recalled that they spoke softly, Florence sitting, holding Cleo's head in her lap, leaning over to hear him. They talked for hours into the night, then she kissed him and rose and went in to the house and told his sister that he would like her company. She sat with him throughout the night. He never spoke. In the cool hours before sunrise he left, his breath so light that his sister never knew the moment. He was just 32 years old. Cleo was buried in Oroville, in an unmarked pauper's grave.

That same afternoon, his family met to discuss what to do about Cleo's kids! Cleo and Florence had five kids, and another due in less than six months. The meeting took less than an hour: all they had to do was decide who would take what kid to raise, while Florence waited outside with the kids. The family made their choices, then went outside to "tell" Florence.

But Florence spoke first,
"I know what you want to do, but it's not right and I'm not going to let you, any of you take Cleo's kids. I made a promise to Cleo to see his kids raised, and by God I'm going to keep that promise."
Cleo's sister spoke up, saying, "But, Florence, we only want to help. To relieve you of the burden of trying to raise these kids alone."
Florence looked her in the eyes, and said,
"Then help me; be my sisters and my brothers. Be the uncles and the aunts they need. But I'm their mother and they'll stay with me."
And they stayed with her, for a promise made was a promise kept. ...The year was 1936, the place a few miles south of San Luis Obispo on U.S. 101, the time was early morning. The car, overheated, it's water pump gone bad, died and coasted to a stop just inside the camp. They had been forced to rush north, from the town of Calipatia in the Imperial Valley, where it had snowed and killed the pea crop there, they needed to get work in the pea crop around Nipomo. The car's water pump had given out and they had barely made it. They hoped now to make enough money to fix the car and move on to the next field, the next crop on the Harvest Trail.
As fate would have it, a freak cold snap had killed the peas here the night before. There would be no work in this place, not this year. Those that could had already left; the others (some two thousand persons) had nowhere to go and no way to get there if they did. The look of hunger was already in the camp; within a week death would be there too. First, the very young, and the very old. Soon the locals would descend on the camp, arresting some, beating others, but scattering all to the four winds. Florence had seen it all before. The need to move on quickly was upper most in everyone's mind.

...Florence sat down under the tent. How long she sat she didn't know, her mind perhaps on the past, of promises lost and promises kept. Perhaps she was thinking of the new infant in her arms, or the young girls around her. Perhaps her thoughts were on Cleo, and the world, as the world had seemed a dozen years ago. Then a shiny new car (it was only two years old) pulled into the entrance, stopped some twenty yards in front of Florence and a well-dressed woman got out with a large camera. She started taking Florence's picture. With each picture the woman would step closer. Florence thought to herself, "Pay her no mind. The woman thinks I'm quaint, and wants to take my picture." The woman took the last picture not four feet away then spoke to Florence: "Hello, I'm Dorthea Lange, I work for the Farm Security Administration documenting the plight of the migrant worker. The photos will never be published, I promise." Florence said, "Okay, if you think it will help." The woman turned, walked away, got in her car, and was gone.
The next day the promise was broken: Florence's picture taken by the well-dressed lady was on the front page of all the newspapers. The story told of the hunger and the needs of the people of the camps. By the third day cars and trucks began to arrive at the camps with food and supplies for the people in need. All were fed, many given clothes and help with car repairs. It was a miracle of love and giving. Doctors came to help the sick and the weak. Many jobs were offered and the people were grateful. But Florence wasn't there to see it.
Back in Shafter, Florence's oldest boy, LeRoy twelve, was working as a paperboy and staying with his Uncle Bill. He picked up the day's papers to sell and his mother's picture hit him in the face. He ran all the way to his uncle's place to tell them his mother was dead. Why else would a poor person's picture be in the newspaper? His uncle quickly read the newspaper, got into his car and headed off to rescue Florence: that's what families were for.
Written by Roger Sprague Sr.
Grandson of the "Migrant Mother"

ONE HUMAN FAMILY

Photo by Pete Turner


A Summary of the World By Forrest Felling


If we could, at this time, shrink the Earth's population to a village of precisely 100 people, with all existing human ratios remaining the same, it would look like this:


**There would be 57 Asians, 21 Europeans, 14 from the Western Hemisphere (North and South) and 8 Africans.

**70 would be non-white; 30 white.

**70 would be non-Christian; 30 Christian.

**50 percent of the entire world wealth would be in the hands of only 6 people.

**All 6 would be citizens of the United States.

**70 would be unable to read.

**50 would suffer from malnutrition.

**80 would live in sub-standard housing.

**Only 1 would have a college education.

When one considers our world from such an incredibly compressed perspective, the need for both tolerance and understanding becomes glaringly apparent.






JUST BEGIN...AGAIN!

Baby Steps...It's all about Baby Steps!

The most effective action you can take
Towards your goal
Is with a ridiculously small step!
It MUST feel ridiculously small
As those are the most powerful steps of all!


Our Studio is now stunned and amazed that 212 days of 2007 have come…and gone. Honestly, how is it possible that we find ourselves in August!?! Once again, this reality motivates us to pause and consider or reconsider what it is we hope to accomplish during the balance of 2007. Thinking of it this way is TOO BIG A PIECE OF THE TIME PIE!

We are compelled to direct your attention to the KaizenMuse concept of taking ridiculously small baby steps as the most effective means of achieving goals. See Jill Badonsky’s www.themuseisin.com and www.kaizenmuse.com as well as Dr. Robert Mauer's book ONE SMALL STEP CAN CHANGE YOUR LIFE to learn more about this. Today... we will diligently but gently focus on the next 31 days of 2007.

August 1 – 31st! Let’s savor every single moment! This “reflection” may bring (it does for us) a mixture of "feelings"…satisfaction with what has been achieved in the last seven months and the stirrings of frustration or disappointment with the original (still alive and kick’in) goals and dreams that are playing “hard to get”. What to do about reframing and turning around these niggling negative energies into positive, creative reinforcements?


JUST BEGIN…AGAIN!

The most Sacred Place dwells within our Heart
Where Dreams are born and Secrets sleep
A mystical refuge of Darkness and Light
Fear and Conquest
Adventure and Discovery
Challenge and Transformation
Our Heart speaks for our Soul
Every moment while we are alive
Listen…as the whispering beat repeats
Be…gin Be...gin Be…gin
It’s really that simple
Just Begin Again
--Royce Addington--

Postscript:
In 2007, we have 153 more chances to JUST BEGIN AGAIN.
This morning in our Studio, we are already on our second fresh pot of coffee; causing caffeine-induced philosophical debate of the highest order.
The most enlightened among us said (as he announces every single day)…
"TODAY IS THE BEST DAY OF OUR LIFE.”
He’s absolutely right.